Beloved is a book about a
time period so earth-shattering that its effects resonate through history, up
to the time of the events in the novel and further up to the present day. Events
like these, because of how utterly they dehumanized and terrorized the people
involved, often create some sort of distance between those who suffered them
and the rest of the world, as a method of coping with the situation that is
presented to them. In order to talk about slavery, Toni Morrison presented a
chronology that takes place mostly removed from slavery, occurring after its
end, but showing that the event has irreparably damaged the fabric of its main
characters' lives by using Sethe's murder of her own child as a symbol for the
horror of slavery.
The
novel opens with an idiosyncratic line: "124 was haunted." The reader
has no idea what this means at the beginning of the book, but what slowly
begins to emerge as the first chapter is read is that 124 is the house that all
of the characters live in, and that it is haunted by the ghost of a dead child.
This concept of haunting is important - this ghost ranges from benign acts such
as handprints in cakes they make to quite malicious acts such as hitting a dog
against a wall so hard that its leg breaks. Sethe's sons leave because of this
ghost, and her family is ostracized from the community for reasons unknown at
the time, so for the most part she lives in complete isolation with her
daughter - she can avoid speaking of or dealing with her memories in slavery.
However,
things become more complicated with the arrival of Paul D, one of the men who
lived on the plantation with her. Interestingly enough, the dead infant Beloved
manifests herself physically as a young woman almost as soon as Paul D shows
up, as if they are both reminders of the past that she has tried to avoid. As
the novel progresses, it also becomes increasingly clear that Sethe is the one
who killed her own daughter, and that this is the reason for the community's
ostracization and the haunting of her house. It is not until Paul D confronts
her that the reader learns the reason why: the slave-catcher had come from the
plantation to return them, and she was so horrified of returning to slavery
that she attempted to kill her children and then herself in order to avoid that
fate. Disgusted, the slave-catcher left and her family sans one member stayed
relatively uninterrupted in their house until the present.
With
this information, the family's situation becomes much more clear. The community
stays clear of her both because they are horrified of the murder and because
the murder represents everything horrible about their lives in slavery that
they tried to escape. By rejecting her, they are attempting to distance
themselves from the lives in slavery that they escaped. However, Sethe does not
have this option. After the murder of her child, Sethe is perpetually haunted
by the event, and by extension her awful history. Then, she is forced to relive
and evaluate these moments with the arrival of Paul D. While he represents
moving forward with a new husband, he is also inextricably tied to the past
with the events that they both witnessed. Beloved, too, carries both of these
sentiments. As a young woman, she carries on a new future as a family-like unit
for Sethe, but she is also literally the physical manifestation of the most
horrible thing that has ever happened to Sethe. She is caught between her
desire to distance herself from slavery and the unignorable facts that she must
deal with: she killed her own baby. This is the horror that she must deal with,
and this is the horror of slavery that Morrison presents in Beloved.
124 is indeed "haunted" at the start of the novel, but the opening line is, in fact, "124 was spiteful"--which both leaves it more ambiguous in terms of meaning (we only later figure out that this seems to mean literally haunted by a spiteful baby-ghost) and serves to personify the house itself, and give the "haunting" a particularly spiteful valence.
ReplyDelete